Abstract

In recent years, Frantz Fanon has become a major figure for theorists and artists working on the connections between race, representation, colonialism, and humanism in the English speaking world. It is not the case in France where the debate around race remains heavily indebted to an abstract universalism which tends to obscure the long history of race’s presence in French thought. Looking at the figure of the slave, Françoise Vergès explores its presence and absence in Fanon’s Black Skin, Whites Masks, and in French philosophical and cultural discourse. She reads this presence/absence as a symptom of the incapacity to integrate race as essential in the elaboration of political discourse, and as a wish to deny how the imperial and colonial past continues to shape political life. This denial feeds the illusion that France has been disconnected from its imperial past, reducing racism to the machinations of strictly economic life. Françoise Vergès argues that we need to reintegrate the figure of the slave if we wish to go beyond race as a symbolic marker and explores what anti-colonialits thinkers used to call a new post-racial humanism.