Abstract

This paper examines the relationship between learning and practice, rule and invention, in Japanese art. Drawing on Chinese precedent, learning through the close observation of conventional models for technical mastery or stylistic construction, underpinned training in almost all of the arts and crafts in Japan. The practice of building individually inventive projects was usually developed only after the successful completion of long apprenticeships in studio settings. The pictorial engagements of Edo, today's Tokyo, form the principal focus for this examination of how individually forged learning pathways developed within the formal constraints of Tokugawa period art-training arrangements. This paper...