Abstract

The point of this essay is to draw on the resources of phenomenology to argue that a global environmental ethics is one that should embrace cultural pluralism. My further claim is that due to the presence of a large variety of what Edmund Husserl understands as home-worlds and alien-worlds, any attempt at a universal environmental ethics might be impossible and perhaps unattractive. Nonetheless, I do believe there should be a dialogue that unfolds across these differences for the sake some operative environmental ethics. I believe that an aesthetic model that can help us understand the former is the idea of “polar harmonies” put forth by Hebert Speigelberg. I end by claiming that even when a “common nature” is discovered through the interaction with the alien-world, what is found cannot become universalized due to the unavoidable influence of cultural differences upon this very commonality.