Abstract

Logical limitation and virtual harmony are two formal characteristics that construct the objective organization of artistic objects. In the experience of Art, the emergence of space relationships has its origin in the limitation of logical relationships. The pretension towards harmonic adaptation determines the virtual appearance of a space prior to the objective world. The contemporary aesthetic theory must reformulate the theoretical contexts previous to modernity, referring to the historical origin of its most critical problems. Platonism, Aristotelianism, Stoicism and Neo-Platonism, as systematizations of classical tradition, contain the fundamental premises that, later on, will reappear in modern aesthetics and will help us reorder the panorama of aesthetic drift after contemporary thought