Philosophy Goes to the Movies: An Introduction to Philosophy

New York: Routledge (2002)
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Abstract

Drawing on a wide range of films from around the world, and the ideas of a diverse selection of thinkers from Plato and Descartes to Marcuse and Foucault, _Philosophy Goes to the Movies_ introduces and discusses central areas of philosophical concern, including: *the theory of knowledge *the self and personal identity *ethics *social and political philosophy *critical thinking Ideal for beginners, this book guides the reader through philosophy using lively and illuminating cinematic examples including _A Clockwork Orange_, _Mulholland Drive_, _Blade Runner_, _Modern Times_, _Wings of Desire_ and _The Lord of the Rings_. This fully revised and updated second edition features an expanded introduction providing guidance on teaching and discussing philosophy through film, as well as new material on notable philosophers such as Rousseau, Aquinas and Nietzche, and discussion of a wide range of recent films

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Chris Falzon
University of New South Wales

Citations of this work

Film as Aesthetic Experience and Work of Art.Iasmina Petrovici & Dean Ivan - 2019 - Postmodern Openings 10 (3):135-150.
Filmmaking in the Philosophy Classroom.Nathan Andersen - 2010 - Teaching Philosophy 33 (4):375-397.
Categorizing Imaginary Objects.Gustavo Arroyo - 2020 - Kriterion - Journal of Philosophy 34 (1):1-20.
Books Received. [REVIEW][author unknown] - 2002 - International Journal of Philosophical Studies 10 (4):525-530.

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