Abstract

In the spirit of twentieth century philosophers who personally participate in the interplay of their social and political ideology, Hannah Arendt gives an account of the onus of profound personal liberty and how persons might limn solutions to vexing social situations. Nevertheless, Arendt employs B-movie imagery as an analogue for what she sees as our overwhelming immersion in “the social,” the enveloping force which enervates our personal freedom and acts as a dehumanizing, depoliticizing force. “The Blob” acts as a juggernaut against which we are powerless to affect social change. Hanna Fenichel Pitkin’s portrait of Arendt’s political thought acknowledges that this sort of imagery and hypostacization has deep flaws, especially in light of Arendt’s exhortations to challenge social structures and to guard against personal inauthenticity. Pitkin concludes that “The Blob” is nothing but the construct of persons wishing to divest themselves of choice and freedom, and offers that the problem of social indolence and apathy can be remedied through thoughtful activism and community minded self-legislation.