Abstract

Details of poetical expression have received only incidental mention in my earlier articles on Valerius Flaccus. The purpose now is to fill this gap by outlining what has struck me most forcibly about Valerius' use of language and metre. This is offered not as a final assessment, were such a thing ever possible, but rather as a supplement or epilogue to what has already been published, with the emphasis on aspects unnoticed or not elaborated by others.