Abstract

This essay explores the hypothesis that Plato plays a more significant role in the late philosophy of Nishida Kitarō than is typically acknowledged. As Nishida himself said, both he and Plato attempt to articulate a metaphysics of self-determination. This requires a first principle that cannot be an arbitrary positing of some determination, and thus must be indeterminate. In the case of Nishida this is the “place of nothingness”. Nishida claims that at least some of the inspiration for his notion of nothingness comes from the chōra of Plato’s Timaeus. This paper argues, however, that the “One” of the Parmenides, the Good of the Republic and mind (nous) in the Phaedo and Philebus actually offer closer affinities to Nishida’s notion of self-determining nothingness than does the chōra. The paper also argues that interesting affinities can also be found between Plato’s turning around of the soul (periagoge) and Nishida’s “event” of religious experience, as well as between Platonic eros and Nishida’s notion of love.