Abstract

In this article, I offer a preposterous history of Antigone’s adaptations that contrasts Sophocles’ classical tragedy with Jean Anouilh’s Euromodern melodrama and Ariel Dorfman, Patricia Nieto, and Sara Uribe’s postmodern Antigones in Latin America. I offer that history to understand a significant change in sovereign power when the state takes hold of the socially dead rather than living body. Here, I argue, we need to move from the theory of biopolitics to the theory of necropolitics to further explain the role that slavery and its aftermath play in the radicalization of state violence under contemporary neoliberalism. I thus contrast the ancient violence inflicted in the publicly desecrated corpse of Polyneices with the Euromodern violence that misidentifies Polyneices and the postmodern violence that instead disappears not one but many Polyneices. This explains why enforced disappearances figure so prominently among postmodern Latin American Antigones, a form of violence that I trace back to the settler colonial logic of elimination whereby settlers claim nativity to the territory by means of erasing its prior inhabitants.