Abstract

Critique of the Power of Judgment is the third work of Kant’s critical philosophy. Kant states that he has put this work on paper to complement his critical philosophy. This statement of completion constitutes the transition that is required between the theoretical and practical areas of philosophy. According to Kant, transition from the theortical area, or natural area to the practical area, or the area of freedom is not possible. Moreover, principals in the area of freedom need to be realised in the area of nature. Kant has presented a system that establishes art as the bridge from the area of freedom to the area of nature. With regard to this system, genius is the skill that provides the rules for art through nature and as one definition of beautiful in Critique of the Power of Judgment, Kant identifies beautiful as the transition of aesthetical ideas thorough genius. This transition occurs as a result of the judgment of taste by means of the free play of imagination and understanding. My aim in this study is to clarify how imagination that is not limited by understanding widens up and is presented as [non-conceptional] aestethical ideas through art. In order to put forth this representation with all its clarity, I will try to elucidate the meaning of the transition from the practical area of philosophy to its theoretical area, which is crucial according to Kant. In this contect, I wil emphasize the nature of judgments of taste, relation of nature-art, classification of fine arts, and the role of genius in emerging aestethical ideas.