Stanford University Press (2002)

Abstract
Against the assumption that aesthetic form relates to a harmonious arrangement of parts into a beautiful whole, this book argues that reason is the real theme of the Critique of Judgment as of the two earlier Critiques. Since aesthetic judgment of the beautiful becomes possible only when the mind is confronted with things of nature, for which no determined concepts of understanding are available, aesthetic judgment is involved in an epistemological or, rather, para-epistemological task. The predicate “beautiful” indicates that something has minimal form and is cognizable. This book explores this concept of form, in particular the role of presentation (Darstellung) in what Kant refers to as “mere form,” which involves not only the understanding, but also reason as the faculty of ideas. Such a notion of form reveals why the beautiful can be related to the morally good. On the basis of this reinterpreted concept of form, most major concepts and themes of the Critique of Judgment—such as disinterestedness, free play, the sublime, genius, and beautiful arts—are examined by the author and shown in a new light
Keywords Aesthetics, Modern
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Reprint years 2003
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Call number B2799.A4.G37 2003
ISBN(s) 9780804746137   0804746214   0804746133   9780804780315
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Aesthetics and the Dream of Objectivity: Notes From Set Theory.Juliette Kennedy & Jouko Väänänen - 2015 - Inquiry: An Interdisciplinary Journal of Philosophy 58 (1):83-98.
The Lot of the Beautiful: Pragmatism and Aesthetic Ideals.John J. Kaag - 2015 - British Journal for the History of Philosophy 23 (4):779-801.
The Artist and the Bengalese Finch.Stephen Davies - 2016 - Review of Philosophy and Psychology 7 (4):715-720.

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