Abstract

In this essay, I suggest an entangled analysis of sexual difference theory via Luce Irigaray and creolization via Édouard Glissant. I argue that these two distinct discourses share a critical stance against Western sameness and assimilation into a closed metaphysical system. However, each is born of particular historical socio-political struggles that should not be collapsed. I bring them together to demonstrate that their claims are productively entangled and that a critical re-reading of melancholia can unite readers to locate sources of sexual-racial-colonial violence in disparate locations and epochs, holding collective memory and acting beyond critique. Relying on Francoise Vergès’s account of métissage and anamnesis, I will suggest that Antillean geographical vantages reveal complexities of racial and colonial relation to one’s mother, the state, and the sea. By interrogating psychoanalytic and linguistic claims, I forward a South-South circulation of coordinated but distinctive political reimaginations that challenge static notions of race, gender, and sexual difference.