Abstract

The longing for aerial flight has been one of mankind's most consuming preoccupations. A burning desire for lightness, verticality, and flight is opposed to the fatality of universal gravity. Jules Michelet, in his study of the subject, entitled L'Oiseau (The Bird), which he wrote toward the end of his life, deems this aspiration for upward motion to be characteristic of all nature. He writes: “It is the cry of all the earth, of the world and of all life… : ‘Wings! We want wings, we want flight and movement.’” From ancient times, this basic element of physical experience has nourished human imagination and been a source of motivation for the pursuit of scientific knowledge. Mesopotamian civilization had its winged divinities and spirits; indeed the Western tradition of depicting winged persons has been linked to the influence of Mesopotamian art. As Jules Duhem has pointed out, four centuries before Jesus Christ, Aristotle himself was already exploring certain notions that have become part of the history of ideas of aeronautics and astronomy. Among these are the ideas of void, weight, the resistance of air, and the movement of birds and other flying creatures. Duhem has also demonstrated that Aristotle proposed an explanation, as imperfect as it was, for what causes projectiles to fall from the sky. Throughout the ages, humanity has continually expressed its desire to fly: “Man is proud of being free and of leaning on nothing,” Elias Canetti has written in regard to man's upright position. Striking examples of the impulse to fly are to be found not only in scientific discourse but in myths, literature, and works of art.