Abstract

Having been invented by scientists, who first saw it as a new tool of inquiry and only later began to suspect the possibility of photographic art, photography's special epistemic character has dominated thinking about its nature. Photographs are introduced as evidence in scientific reports, journalism, and courts of law. They can also be used to make discoveries. According to the new theory of photography, a photograph is a product of a photographic process where an artifactual image is rendered from a photographic event that records information in a light image of a pro‐photographic scene. One class of photographic practices is epistemic, centering on norms that restrict the photographic process in order to ensure belief‐independent feature‐tracking. For historical reasons, this restricted conception of photography dominated both the design of the technology and its use. It would be perfectly accurate to call the epistemically centered practice as standard photography.