Abstract

Photography is probably the first art to have developed alongside and in tandem with systematic thinking about its nature. Photography theory has always been implicated in photographic creativity and appreciation. Methodological skepticism treats the skeptic's argument as a tool by taking it seriously in a rather special way. In this chapter, philosophy has been used to bring out some hidden structures in the thinking that obscure photography's range of powers. A second art of photography, exemplified by some important art made since the 1980s, stands up to the assumption that thoughts cannot be expressed where there is depiction by belief‐independent feature‐tracking. Lyric photography is our third art, which questions whether photography is depiction by belief‐independent feature‐tracking, and which conceives photography as means of fashioning marked surfaces from recording events. Finally, since art need not be representational, a fourth art of photography foregrounds form over content.