Abstract

The ideas of Jewish Messianism and libertarian utopia hold a decisive place in the work of Franz Kafka and while it is possible to recognise the selective tendency which links them, their orientation derives from radical negativity. The sympathy for libertarian utopianism which led Kafka to become involved in the activities of Prague anarchist circles in 1919-1922 did not take on the same form in his novels and short stories. In them it is purely negative, a critique of a world devoid of freedom, of the meticulous absurd and arbitrary logic of some all-powerful "apparatus". The structural homology with "negative theology" is striking: in both cases the positive reverse of the established world - a libertarian utopia or messianic redemption - is totally lacking and it is this absence that defines the life of people as fallen, lost or devoid of meaning. The subconscious selective tendency between the two "negative" configurations leads to a convergence which can be seen in the structure of the novels (The Trial, The Castle) and short stories: this is what the crushing of the individual and the total refutation of freedom indicates - the redemption of the world.