Abstract

: In this paper I want to propose, from the vantage point of an experimental artist/composer, perceptual strategies focusing on the often ephemeral and unobtrusive spatio-temporal rhythmicities that nevertheless contribute to the quality of life in a settlement. The main points of reference are R. Murray Schafer's concepts of “ hi-fi and lo-fi soundscapes”, which here become “hi-fi and lo-fi environments”, i.e. are extended to include also non-sonic phenomena, and Torsten Hägerstrand's - Pour une éthique et une politique du rythme – Nouvel article