The Art of Comics

& (eds.)
Wiley‐Blackwell (2012-01-27)
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Chapters

Redefining Comics.  (pages 1–30)John Holbo
The Ontology of Comics.  (pages 31–46)Aaron Meskin
Comics and Collective Authorship.  (pages 47–67)Christy Mag Uidhir
Comics and Genre.  (pages 68–84)Catharine Abell
Wordy Pictures: Theorizing the Relationship Between Image and Text in Comics.  (pages 85–104)Thomas E. Wartenberg
What's So Funny? Comic Content in Depiction.  (pages 105–124)Patrick Maynard
The Language of Comics1.  (pages 125–144)Darren Hudson Hick
Making Comics into Film.  (pages 145–164)Henry John Pratt
Why Comics are not Films: Metacomics and Medium‐Specific Conventions1.  (pages 165–187)Roy T. Cook
Proust's In Search of Lost Time: The Comics Version.  (pages 188–202)David Carrier

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Index.[author unknown] - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 203–213.
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Front Matter.[author unknown] - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell.
What's So Funny? Comic Content in Depiction.Patrick Maynard - 2011 - In Aaron Meskin, Roy T. Cook & Warren Ellis (eds.), The Art of Comics: A Philosophical Approach. Wiley-Blackwell.
Comics and Genre.Catharine Abell - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 68–84.

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Aaron Meskin
University of Georgia

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