Abstract

This article examines the figure of Lorenzo Valla (1406-1457), and challenges his nineteenth-century interpretation as a precursor of modern critical historiography and philology, by focusing on two of his works on the ancient Roman historian Livy. The first is the Letter to King Alfonso on the Two Tarquins (1444), where Valla claimed to have discovered a mistake in Livy, and the second is the Confutation against Morandi (1455), a defence of the former work against a critic. The article has two aims. The first aim is to offer a reassessment of the significance of these works, arguing against the view that Letter to King Alfonso represents the formulation of a radically new ‘critical' methodology. The second aim is to consider these works in the broader cultural context on ritualised performance in which they were conceived. Vital to their composition was the so-called ‘hour of the book’, ceremonial readings of classical authors at the court of King Alfonso, and the broader cultural context of the veneration of Livy in late medieval Italy.