Abstract

This article traces the emergence of ecomedia in Japan’s nuclear exclusion zone. I take this emergence as an opportunity to think through the relations of sensing technologies and animals as well as the transformative potential of these relations for critical thought. I turn to the camera trap and the Geiger counter first to understand how these sensor-based media are used to generate data around environmental inquiry as well as how they may be reassembled to help us take measure of the aftereffects of the 3.11 disasters through and with located relationships and encounters among species, human and nonhuman. By exploring how ecomedia invite nonhuman makings to enter the analytical frame, I hope to arrive at an understanding of environmental harm not as a futurological threat but as an ongoing event that calls for new forms of agentic thinking and enactments of multispecies struggle and collaboration.