Abstract

John H. Muse's Microdramas: Crucibles for Theatre and Time examines the production of short plays across the history of Western theatre practice, from the late-nineteenth century to contemporary performance. Categorizing plays shorter than twenty minutes as microdramas, Muse does not insist on a new term for a theatrical subgenre, but provides an ideal working title for the study of brief theatre: a study which, until now, has been largely overlooked in literary theoretical analyses on theatre. Muse shows us how the study of plays by playwrights who consciously choose brevity as a form, provides a platform for examining the evolution of theatre's structural practices. Identifying how short plays expose traditional...