Abstract

William Poteat acknowledges a profound debt to Michael Polanyi, yet claimed not to be doing Polanyian scholarship. So what was the relationship of the former to the latter? Polanyian motifs important to Poteat include the fiduciary, creativity of knowledge, personal agency, critique of reductionism, and the confessional mode. In addition, Poteat goes beyond Polanyi in his rich humanistic background, his sense of the tragic, the need for a new language and method for philosophy commensurate with the dialectical nature of truth, the concept of “mindbody,” the centrality of speech/orality to human being.