Music as text: Mahler, Schumann and issues in analysis

In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 152--163 (1994)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,779

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Theory, analysis and meaning in music.Anthony Pople (ed.) - 1994 - New York: Cambridge University Press.
Absolute Music, Mechanical Reproduction.Arved Mark Ashby - 2010 - University of California Press.
Approaches to meaning in music.Byron Almén & Edward Pearsall (eds.) - 2006 - Bloomington: Indiana University Press.
Studies in Modern Music.W. H. Hadow - 1970 - Kennikat Press.
Metaphor in Roger Scruton's aesthetics of music.Naomi Cumming - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 3--28.
Ambiguity in tonal music. a preliminary study.Kofi Agawu - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 86--107.

Analytics

Added to PP
2014-02-01

Downloads
10 (#1,207,970)

6 months
2 (#1,445,320)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references