- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Black as the New Dissonance: Heidegger, Adorno, and Truth in the Work of Art
Mediations 31 (1) (2017)
Abstract
Suther contrasts Theodor Adorno’s idea of “truth” in the work of art with Martin Heidegger’s The Origin of the Work of Art. Ultimately, the piece argues for a materialist aesthetics through Adorno’s account of modernism, suggesting that the “dissonance” intrinsic to modernist works of art activates the intellect of the beholder, disclosing the contradictions of capital.My notes
Similar books and articles
The Dynamic Phenomenon of Art in Heidegger's The Origin of the Work of Art.Aili Bresnahan - 2009 - American Society for Aesthetics Graduate E-Journal 1 (2):1-8.
A Crushing Truth for Art: Martin Heidegger's Meditation on Truth and the Work of Art in Der Ursprung Des Kunstwerkes.Donald Lee Knudsen - 1988
Adorno's Modernism: Art, Experience, and Catastrophe.Espen Hammer - 2015 - Cambridge: Cambridge University Press.
The Enigma of Experience; Art and Truth Content.Tom Huhn - 2016 - Discipline filosofiche. 26 (2):61-77.
A relação dialética entre arte e sociedade em Theodor W. Adorno.Franciele Bete Petry - 2014 - Veritas – Revista de Filosofia da Pucrs 59 (2):388-406.
Art and Aesthetics After Adorno.J. M. Bernstein, Claudia Brodsky, Anthony J. Cascardi, Thierry de Duve, Aleš Erjavec, Robert Kaufman & Fred Rush (eds.) - 2022 - Fordham University Press.
On Negativity and Aesthetics: Kluge's Farewell to Adorno.Ricardo Samaniego de la Fuente - 2022 - Artefilosofia 17 (31).
Ratio, Mimesis, Dialectics: On Some Motifs in Theodor W. Adorno.Fabrizio Desideri - 2016 - Discipline filosofiche. 26 (2):125-138.
Adorno and/with Heidegger: From Modernism to Postmodernism (in Slovenian).Ales Erjavec - 2002 - Filozofski Vestnik 23 (1):123-136.
Heidegger: Historicity and the Question of Art.Suna Ertugrul - 1999 - Dissertation, State University of New York at Binghamton
Analytics
Added to PP
2019-01-18
Downloads
5 (#1,562,182)
6 months
1 (#1,516,021)
2019-01-18
Downloads
5 (#1,562,182)
6 months
1 (#1,516,021)
Historical graph of downloads
Citations of this work
The Wooden Brain: Organizing Untimeliness in Marx’s Capital.Amanda Armstrong - 2017 - Mediations 31 (1).
References found in this work
The absolute artwork meets the absolute commodity.Stewart Martin - 2007 - Radical Philosophy 146:15.
What Was Abstract Art? (From the Point of View of Heidegger).Ingvild Torsen - 2014 - Journal of Aesthetics and Art Criticism 72 (3):291-302.
Necessity, Labor, and Time: A Reinterpretation of the Marxian Critique of Capitalism.Moishe Postone - 1978 - Social Research: An International Quarterly 45.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-68866f4b87-hhxx8 uwo