Dynamic Attentional Mechanisms of Creative Cognition

Philosophy and the Mind Sciences 4 (2023)
  Copy   BIBTEX

Abstract

In popular imagination creativity requires us to surrender control. Yet, attention is at the heart of control, and many studies show attention to play a key role in the creative process. This is partly due to the selective nature of attention—creative cognition consists of two phases, idea generation and idea evaluation, and selective processes are essential for both phases. Here, we investigate attentional (i.e., selective) mechanisms underlying each phase, using the framework of two major attention taxonomies: top-down/bottom-up and internal/external attention. We argue that creative cognition is supported by a dynamic interplay between the typically opposing sides of each taxonomy. Further, we argue that this dynamic relationship is reflected in interactions across three large-scale brain networks: the default mode (DMN), frontoparietal control (FPN), and salience (SN) networks. Our review of the evidence suggests that creative cognition is best achieved through the flexible use of multiple forms of attention, rather than through reduced attention. We thus propose a two-dimensional space, including one dimension for top-down/bottom-up and another for internal/external attention, which can sufficiently capture the flexibility and diversity of attentional mechanisms underlying different stages and components of creative cognition.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,098

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Analytics

Added to PP
2023-07-05

Downloads
24 (#679,414)

6 months
24 (#121,857)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Carolyn Dicey Jennings
University of California, Merced

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references