Abstract

This paper considers alternative styles of philosophy, based on art or science, through an investigation of Rudolf Carnap and Martin Heidegger. Carnap’s criticism of Heidegger’s account of das Nichts is analysed in relation to Immanuel Kant’s theory of the imagination. Heidegger’s account of the work of art demonstrates philosophies that take science as their model, over-emphasize cognition, and do not adequately consider the importance of apprehension.