Becoming dislocated: On Bauman’s subjective culture

Thesis Eleven 118 (1):116-124 (2013)
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Abstract

Three of Zygmunt Bauman’s recent books are assessed to present insights into the recent development of his thought and the challenges it poses to the social sciences, humanities and the wider public. By reading Bauman’s recent work through the influence he takes from Georg Simmel, the former’s disparate recent work is understood as an attempt at the cultivation of critical and ethical engagement through the externalization and objectification of his own subjective culture. The more radical elements of Bauman’s work are emphasized in his attempts to stimulate a counter-culture through encouraging critical analysis of society. It is proposed that he achieves this through ‘polylogic’ discourse and engagement with the public. Sociology is presented as a tool of freedom through ‘defamiliarizing the familiar’ and Bauman’s most powerful tool in this is the demonstration of his particular critical view of the world. The broad-ranging engagement with diverse topics in his recent books enables him to place this critical perspective, rather than a particular topic or issue, at the centre of his work. The metaphorical and other literary devices used by Bauman to stimulate critique and in particular to spur on the radical potential of youth are highlighted as some of his most powerful contributions.

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References found in this work

Modernity and Ambivalence.Zygmunt Bauman - 1990 - Theory, Culture and Society 7 (2-3):143-169.
Identity: conversations with Benedetto Vecchi.Zygmunt Bauman - 2004 - Malden, MA: Polity Press. Edited by Benedetto Vecchi.
This Is not a pipe.Joseph Margolis - 1984 - Journal of Aesthetics and Art Criticism 43 (2):224-225.

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