Noir Neptune

In George Dunn & James South (eds.), Veronica Mars and Philosophy. Wiley-Blackwell. pp. 61–71 (2014)
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Abstract

The possibility of a love strong enough to overcome the corruption and violence of the world of film noir is a promise that frequently seduces the protagonist, but it ultimately proves to be illusory—and often fatal. Many film noirs share three major elements with Veronica Mars: a corrupt world in which the story is set; a love interest; and protagonist who becomes obsessed with uncovering the truth whatever the costs. The centerpiece of Veronica Mars's transformation of the film noir paradigm is making the noir detective a teenage girl. In film noir the inhabitants of a corrupt world attempt to free themselves from bad situations but find themselves doomed to fail. One of the most radical and interesting ways in which Veronica Mars reimagines the genre is by reversing the genders between the film noir's protagonist and its femme fatale.

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Daniel Wack
Knox College

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