Abstract

In this chapter, Wringe considers expressivist accounts of punishment with particular emphasis on the work of Joel Feinberg, Jean Hampton, and Antony Duff. After distinguishing between definitional and justificatory versions of expressivism and examining the case for definitional expressivism, Zaibert argues first that a recognition of the expressive functions of punishment does not require us to accept an expressive definition of punishment. He also argues that the best-known versions of justificatory expressivism are unsuccessful, while an alternative that places at its center what punishment communicates to society at large best resists the critique of punishment that originally motivated Feinberg’s arguments for understanding punishment in expressive terms.