The overall contention of this paper, conducted through an examination of the idea of a ‘critical direct realism’ as this was developed across the twentieth century first in the thought of Roy Wood Sellars (1880–1973) and then in a different form by his son Wilfrid Sellars (1912–1989), is that such a view, in both its conceptual and sensory representational dimensions, is plausible as a form of direct realism. However, to the extent that the mediating sensory or qualitative dimension was itself (...) conceived by both thinkers in what I characterize as strongly ‘phenomenal realist’ terms, the resulting philosophical commitments were of a kind that most current direct realists would generally not accept, even in cases where they themselves are phenomenal realists (perhaps naïve realists). The various perceiver-dependent forms of that additional, perhaps detachable commitment of most critical realists is likely responsible for the assessment of William Pepperell Montague (1873–1953) and other ‘neo-realists’ that ‘critical realism’ is not really, as advertised by Roy Wood Sellars, a version of direct realism, but ultimately a retreat to indirect realism. However, I argue that in both of its primary conceptual and sensory representational commitments, ‘critical direct realism’ remains a plausible competitor to direct acquaintance versions of direct realism. (shrink)

All contributions included in the present issue were originally prepared for an “Author Meets Critics” session organized by Carl Sachs for the Eastern Division Meeting of the American Philosophical Association in Savannah, Georgia, on 5th January, 2018.

The relationship between American pragmatism and American critical realism needs to be reconsidered. The two currents shared many aspects, but there were also significant differences. One of these differences pertains to the object of perception or, more precisely, to the question of what we talk about when we talk about this, for example, being blue. By re-addressing that question, some light can be shed on the historical development of analytic philosophy in the United States during the first half of the (...) twentieth century. My case in point is the respective positions of C. I. Lewis and R. W. Sellars. I shall point out that Sellars’s view has more to recommend it because it provides a more compelling framework for a comprehensive explanation of perception. (shrink)