Online research in philosophy

Machine generated contents note: Introduction; 1. Coming of age in Wilhelmine Germany; 2. Student years in Frankfurt; 3. A materialist interpretation of the history of modern philosophy; 4. The beginnings of a critical theory of contemporary society; 5. Horkheimer's integration of psychoanalysis into his theory of contemporary society; 6. Horkheimer's concept of materialism in the early 1930s; 7. The anthropology of the bourgeois epoch; 8. Reflections on dialectical logic in the mid-1930s; Excursus I. The theoretical foundations of Horkheimer's split with Erich Fromm in the late 1930s: Fromm's critique of Freud's drive theory; Excursus II. Divergence, estrangement, and gradual rapprochement: the evolution of Horkheimer and Adorno's theoretical relationship in the 1930s; 9. State capitalism - the end of Horkheimer's early critical theory; Epilogue: toward a historicization of Dialectic of Enlightenment and a reconsideration of Horkheimer's early critical theory.

I critically engage Max Horkheimer’s “Art and Mass Culture” from Critical Theory. I split Horkheimer’s essay into three parts, which correspond to the three sections of my essay. The first section details the objective historical conditions that have lead up to Horkheimer’s diagnosis. The second section describes the change in consciousness that corresponds to these conditions, and the third section outlines Horkheimer’s critique of Mortimer Adler and art that belongs to “the amusement industry.” I describe the basic elements of Horkheimer’s aesthetic theory, use several pieces of art as examples of the application of the theory, andprovide contemporary analogues in order to illustrate the relevance of the essay to today’s world.

In this book, Horkheimer surveys and demonstrates the gradual ascendancy of Reason in Western philosophy, its eventual total application to all spheres of life, ...

Frankfurt School critical theory has long opposed metaphysical philosophy because it ignores suffering and injustice. In the face of such criticism, proponents of metaphysics (for example Dieter Henrich) have accused critical theory of not fully investigating the questions is raises for itself, and falling into partial metaphysical positions, despite itself. If one focuses on Max Horkheimer's early essays, such an accusation seems quite fitting. There he vociferously attacks metaphysics, but he also develops a theory that pushes toward metaphysical questions. His work can thus seem laden with unpacked metaphysical baggage, and fraught with contradiction. The aim of this paper is to show that Horkheimer's critique of metaphysics makes sense and is not contradicted by a surreptitious metaphysics. To show this, Horkheimer's views will be compared with Bas van Fraassen's in The Empirical Stance . Ultimately, the paper should show that Horkheimer's early philosophy can be reconstructed in such a way that it employs a 'materialist stance'.

Max Horkheimer does not generally receive the scholarly attention given to other ‘Frankfurt School’ figures. This is in part because his early work seems contradictory, or unphilosophical. For example, Horkheimer seems, at various points (to use contemporary metaethical terms), like a constructivist, a moral realist, or a moral skeptic, and it is not clear how these views cohere. The goal of this article is to show that the contradictions regarding moral theory exist largely on the surface, and that one can go below the surface to reconstruct a coherent position. Part I will examine Horkheimer’s skeptical critique of morality, and show that it leads to the realist position discussed in part II. Part III then shows that such realism can only be understood within a larger constructivist project, which elaborates on a minimal normativity present in human experience. This reconstruction should make sense of Horkheimer’s work, and show its contemporary relevance.

Introduction Max Horkheimer was born on February in Stuttgart. By the time he died, on 7 July in Nuremberg, he had played a decisive role in launching and ...