Abstract

In this article I explore some implications of the correspondence that went on between Ludwig Wittgenstein and the logician and mathematician Gottlob Frege. Part of this exchange was focused on the envisaged publication of Wittgenstein’s Tractatus Logico-Philosophicus, and on the philosophical or literary character of that work. The problem discussed concerned the question of whether the Tractatus should be seen not as a scientific but as an artistic achievement. My first goal is to present what, given Frege’s writings, his phrase “an artistic rather than a scientific achievement” could be understood to mean in terms of the Tractatus itself. Secondly, I seek to determine the extent to which traces of Frege’s understanding of such terms as “mock thoughts,” “fiction,” “elucidation,” “paintings” and “colouring” are to be found in the language of the Tractatus. This should then make it possible to show how Wittgenstein’s work, viewed from a Fregean perspective, can be seen as furnishing a logic and semantics not only for the languages of logic and natural science, but also for something that is “an artistic rather than a scientific achievement”, while also indicating that the content of the Tractatus as a whole could not have been captured independently of the unified form Wittgenstein himself gave it.