Abstract

The Great Palace of Constantinople has been subject to several investigations since the second half of the nineteenth century. All of them have been mostly concerned with the topographical, architectural and typological development of the imperial residence, leaving aside questions such as toponymics. This paper will deal with this issue taking into consideration the name of the complex of buildings that once was the core of the Constantinian Palace, the Daphne. Doing so, we will better understand the denomination of the Palace, and shed light on the functions related to several spaces, the courtly ritual and, in short, the representation of power through architecture in an imperial context. Besides, the present enquiry will challenge some topographical assumptions on the complex.