Abstract

Two speeches in Plato's Theaetetus, Socrates' well-known description of himself as a midwife and the 'digression' in the middle of the dialogue, wherein Socrates contrasts the philosopher and the public orator, have apologetic dimensions; they are, in part, attempts by Socrates to account for, and hence correct, his and the philosopher's undeserved public reputation. A careful reading of these passages in their dramatic contexts as philosophical apologies reveals interesting parallels to the Apology, insights into some of the major themes of the Theaetetus, and a fuller appreciation of Socratic philosophy as portrayed in Plato's dialogues.