Abstract
Images of human violence to animals challenge us both psychologically and morally. Sometimes images are so graphic, the treatment they capture so degrading and cruel, that they approach the pornographic. How can we responsibly approach them? Is it more respectful to witness such suffering, or to look away? I explore the notion of bearing witness to animal suffering as a manifestation of respect. I begin by asking why it is important to bear witness to human atrocities such as the Holocaust. Some rationales are forward-looking and consequentialist. We bear witness in the spirit of “never again”: to stir moral motivation and preventive action. But there are also backward-looking and expressive reasons: to show respect for the dead, to express our solidarity and grief, to affirm the moral value of both the lost and the saved. Some might argue that differences between human and nonhuman victims of violence make the latter rationales irrelevant when animal victims are in question. The animal dead did not value being remembered; animal survivors do not share a degrading collective memory of horror and do not care if we acknowledge it. Yet obligations of memory do find a foothold here. Bearing witness to human-animal violence affirms the moral status of animals; it expresses respect and is part of constitutive justice. Bearing witness, however, carries moral risks, so that it matters greatly how one does so. One problem is that witnesses’ “testimony” - usually visual documentation of animal abuse - does not find its way only to compassionate audiences, but also to others who will use it in pernicious ways and some who are simply voyeurs. In this way, the witness can unwillingly become “a pornographer of pain.” Given the motive of paying respect to the animal dead, this is the last outcome a moral witness desires. Yet showing atrocities done to animals in all their horrific detail is among the most powerful ways of gaining allies in the struggle to end animal abuse. In light of such dilemmas, I explore the importance of bearing witness in private and as communal activity, of who attends to animal suffering, and of how and through what media we do so.