From Philosophy-Cinema to Philosophy-Screens: Reflections on the Thought of Mauro Carbone

Journal of the British Society for Phenomenology 52 (3):251-257 (2020)
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Abstract

Mauro Carbone’s most recent book, Philosophy-Screens: From Cinema to the Digital Revolution advances the work and thought of his Flesh of Images: Merleau-Ponty Between Painting a...

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2021

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10.1080/00071773.2020.1859071

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Mauro Carbone, "Philosophy-Screens: From Cinema to the Digital Revolution." Trans. Marta Nijhuis. [REVIEW]Shawn Loht - 2020 - Philosophy in Review 40 (4):138-140.
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Merleau-Ponty's Poetic of the World: Philosophy and Literature.Galen A. Johnson, Mauro Carbone & Emmanuel de Saint Aubert - 2020 - New York: Fordham University Press.
The Mutation of our Relations with Screens as a Mutation of our Relations with Being.Mauro Carbone - 2016 - Studia Phaenomenologica 16:325-342.
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Emmanuel Alloa et Adnen Jdey (éds.), Du sensible à l’oeuvre: Esthétiques de Merleau Ponty; Mauro Carbone (éd.), L’empreinte du visuel: Merleau-Ponty et les images aujourd’ hui. [REVIEW]Clélia Zernik - 2013 - Chiasmi International 15:433-435.
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Galen A. Johnson
University of Rhode Island

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References found in this work

The spirit of terrorism.Jean Baudrillard - 2001 - Telos: Critical Theory of the Contemporary 2001 (121):134-142.
Falling Man.Mauro Carbone - 2017 - Research in Phenomenology 47 (2):190-203.
The Flesh of Images, Images of Flesh: Merleau-Ponty Forwarded.Galen A. Johnson - 2017 - Journal of the British Society for Phenomenology 48 (4):360-367.

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