Abstract

In OBLIVION, Donald Justice focuses his critical attention on 20th century literary matters. Engaging the battles of present trends and obsessions, he subtly explores the nature of obscurity, sincerity, style, memory, meter, free-verse, and music. OBLIVION closes with generous excerpts from Justice's own notebooks, providing a rare glimpse into the creative process of a writer whom many critics consider a central conscience of the late 20th century.