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  1. F. A. (1956). The Unmediated Vision: An Interpretation of Wordsworth, Hopkins, Rilke, and Valery. [REVIEW] Review of Metaphysics 9 (3):519-519.
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  2. Mathew Abbott (2010). The Poetic Experience of the World. International Journal of Philosophical Studies 18 (4):493-516.
    In this article I develop Heidegger's phenomenology of poetry, showing that it may provide grounds for rejecting claims that he lapses into linguistic idealism. Proceeding via an analysis of the three concepts of language operative in the philosopher's work, I demonstrate how poetic language challenges language's designative and world-disclosive functions. The experience with poetic language, which disrupts Dasein's absorption by emerging out of equipmentality in the mode of the broken tool, brings Dasein to wonder at the world's existence in such (...)
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  3. R. D. Ackerman (1982). "A Counterpoint of Dissonance": The Aesthetics and Poetry of Gerard Manley Hopkins (Review). Philosophy and Literature 6 (1-2):209-210.
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  4. Luljeta Adili-Çeliku, Jehona Rushidi-Rexhepi & Jeta Rushidi (2013). The Diminutive in Naim Frashëri's Poetry and Ismail Kadare's Works. Seeu Review 9 (1):90-99.
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  5. Richard L. Admussen (1968). Nord-Sud and Cubist Poetry. Journal of Aesthetics and Art Criticism 27 (1):21-25.
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  6. Peter J. Ahrensdorf (2009). Greek Tragedy and Political Philosophy: Rationalism and Religion in Sophocles' Theban Plays. Cambridge University Press.
    Oedipus the tyrant and the limits of political rationalism -- Blind faith and enlightened statesmanship in Oedipus at colonus -- The pious heroism of Antigone -- Conclusion: Nietzsche, Plato, and Aristotle on philosophy and tragedy.
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  7. Kc Alami (1995). Tawriya, or Poetry as a Cultural Act. Al-Qantara: Revista de Estudios Árabes 16 (2):259-271.
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  8. Hartley Burr Alexander (1906). Poetry and the Individual. Journal of Philosophy, Psychology and Scientific Methods 3 (16):439-442.
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  9. Keimpe Algra, M. H. Koenen & P. H. Schrijvers (eds.) (1997). Lucretius and His Intellectual Background: [Proceedings of the Colloquium, Amsterdam, 26-28 June 1996]. Koninklijke Nederlandse Adademie Van Wetenschappen.
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  10. Anita L. Allen (2009). The Poetry of Genetics: On the Pitfalls of Popularizing Science. Hypatia 24 (4):247 - 257.
    The role genetic inheritance plays in the way human beings look and behave is a question about the biology of human sexual reproduction, one that scientists connected with the Human Genome Project dashed to answer before the close of the twentieth century. This is also a question about politics, and, it turns out, poetry, because, as the example of Lucretius shows, poetry is an ancient tool for the popularization of science. "Popularization" is a good word for successful efforts to communicate (...)
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  11. David Allen (2002). Poetry Does Theology: Chaucer, Grosseteste, and the PEARL-Poet. [REVIEW] The Medieval Review 12.
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  12. David Allen (1998). The Language of Old and Middle English Poetry. [REVIEW] The Medieval Review 8.
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  13. Jeffner Allen (1988). Poetic Politics: How the Amazons Took the Acropolis. Hypatia 3 (2):107 - 122.
    This paper explores the poetic politics of lesbian and feminist writing, the textual violence that writing exercises and the amazon intertext it creates. In this particular essay, Jeffner Allen takes as her point of departure the writing of Hélène Cixous and Monique Wittig.
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  14. Charles Altieri (1978). Wordsworth: Language as Counter-Spirit (Review). Philosophy and Literature 2 (1):131-133.
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  15. Omar Julián Álvarez Tabares (2013). Poetry, the Poet and the Poem. An Approach to Poetics as Knowledge. Escritos 21 (46):223-242.
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  16. Luciano Anceschi (1986). Che Cosa È la Poesia? Monograph Collection (Matt - Pseudo).
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  17. Clifford Andenberg (1983). Benedetto Croce: Poetry and Literature: An Introduction to Its Criticism and History. Translated with an Introduction and Notes by Giovanni Gullace. Modern Schoolman 61 (1):56-57.
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  18. Travis T. Anderson (1996). Through Phenomenology to Sublime Poetry: Martin Heidegger on the Decisive Relation Between Truth and Art. Research in Phenomenology 26 (1):198-229.
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  19. Alan Apperley (2006). Dylan and Cohen: Poets of Rock and Roll. Contemporary Political Theory 5 (3):342.
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  20. R. Argullol (2006). Seven Arguments in Defence of Poetry: Resisting the Madding Noise. Diogenes 53 (1):117-121.
    Poetry is essentially connected with silence and may be thought of in that sense as a sort of resistance against the din of the present or rebellion against the commonplace. Alert for the primal sound that travels across cultures, it attempts to express the inexpressible. For poetry is the interplay of possibilities. In treating possibilities lightly, it encourages human beings to inhabit their world differently.
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  21. Aristotle, Aristotle on the Art of Poetry.
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  22. Aristotle (2013). Poetics. Oup Oxford.
    A founding text of European aestheticism and literary criticism, Poetics underpins our moden understanding of imaginative writing. Anthony Kenny's new translation is accompanied by associated material from Plato, Sir Philip Sidney, P. B. Shelley, and Dorothy L. Sayers and a wide-ranging introduction.
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  23. Aristotle (1963). The Art of Poetry. Oup Oxford.
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  24. Aristotle (1957). Aristotle's Politics and Poetics. Viking Press.
  25. Daniel Aristotle, Thomas Twining, J. H. Payne & J. Parker (1812). Aristotle's Treatise on Poetry. Printed by Luke Hansard & Sons, Near Lincoln's-Inn Fields: And Sold by T.Cadell and W. Davies, in the Strand; Payne, Pall-Mall; White, Cochrane, and Co. Fleet Street; Longman, Hurst, Rees, Orme, and Brown, Paternoster Row; Deighton, Cambridge; and Parker,.
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  26. David Armstrong (ed.) (2004). Vergil, Philodemus, and the Augustans. University of Texas Press.
    The Epicurean teacher and poet Philodemus of Gadara (c. 110-c. 40/35 BC) exercised significant literary and philosophical influence on Roman writers of the Augustan Age, most notably the poets Vergil and Horace. Yet a modern appreciation for Philodemus' place in Roman intellectual history has had to wait on the decipherment of the charred remains of Philodemus' library, which was buried in Herculaneum by the eruption of Vesuvius in 79 AD. As improved texts and translations of Philodemus' writings have become available (...)
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  27. Willard E. Arnett (1956). Poetry and Science. Journal of Aesthetics and Art Criticism 14 (4):445-452.
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  28. Karl Aschenbrenner & William B. Holther (1955). Reflections on Poetry. Philosophical Review 64 (1):154-155.
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  29. Robin Attfield (2009). Philosophy on Poetry, Philosophy in Poetry. In Jinfen Yan & David E. Schrader (eds.), Proceedings of the Xxii World Congress of Philosophy. Edwin Mellen Press. 13-19.
    The relations of philosophy and poetry include but are not exhausted by Plato’s hostility to mimetic poetry in the Republic and Aristotle’s defence of it in the Poetics. For poetry has often carried a philosophical message itself, from the work of Chaucer and Milton to that of T.S. Eliot. In yet earlier generations, poetry was chosen as the medium for conveying a philosophical message by (among Greek philosophers) Xenophanes, Parmenides and Empedocles, and (at Rome) by Lucretius, who struggled both with (...)
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  30. D. J. B. (1966). Four Dialectical Theories of Poetry. Review of Metaphysics 19 (4):815-815.
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  31. Babette Babich (2006). Words in Blood, Like Flowers: Philosophy and Poetry, Music and Eros in Hölderlin, Nietzsche, and Heidegger. State University of New York Press..
    A section on PHILOSOPHY, PHILOLOGY, POETRY, includes, among others, Ch. 1: Philosophy and the Poetic Eros of Thought; Ch. 2: Philology and Aphoristic Style: Rhetoric, Sources, and Writing in Blood; Ch 3. The Birth of Tragedy: Lyric Poetry and the Music of Words
    as well as a section on MUSIC, PAIN, EROS includes: Ch. 6: Philosophy as Music; Ch. 7. Songs of the Sun: Hölderlin in Venice; Ch. 8: On Pain and Tragic Joy: Nietzsche and Hölderlin
    And the final section (...)
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  32. Delia Salter Bacon (1857/1970). The Philosophy of the Plays of Shakespeare Unfolded. Ams Press.
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  33. Alain Badiou (2005). Handbook of Inaesthetics. Stanford University Press.
    Didacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure (...)
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  34. John Ross Baker (1981). Poetry and Language in Shelley's Defence of Poetry. Journal of Aesthetics and Art Criticism 39 (4):437-449.
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  35. Paul Balahur (2006). Philosophy and Poetry. Cultura 3 (2):115-123.
    Research in the world of Eminescu’s manuscripts has brought again to discussion the bond between culture and creation and, within this, the relation that we are especially interested in, that between Philosophy and Poetry. It is a known fact that the poet studied philosophical works intensely, not solely out of the obligation to prepare for a university career , but mostly because he had the passion for philosophical problems, as it can be concluded from the analysis of his entire poetic (...)
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  36. Judith Balso (2014). Affirmation of Poetry. Univocal Publishing.
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  37. Kevin Barry (1987). Language, Music, and the Sign: A Study in Aesthetics, Poetics, and Poetic Practice From Collins to Coleridge. Cambridge University Press.
    Originally published in 1987, this book forms a conceptual account of the relationship between music and poetry in the late eighteenth and early nineteenth ...
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  38. M. Pabst Battin (1977). Plato on True and False Poetry. Journal of Aesthetics and Art Criticism 36 (2):163-174.
  39. Margaret Pabst Battin (1976). Plato on Truth and Truthlessness in Poetry. Dissertation, University of California, Irvine
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  40. Alexander Gottlieb Baumgarten (1735/1954). Reflections on Poetry. Berkeley, University of California Press.
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  41. James Beattie (1778). Essays. On Poetry and Music, as They Affect the Mind, on Laughter, and Ludicious Composition, on the Utility of Classical Learning.
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  42. Jim P. Behuniak (1998). Poem as Proposition in the Analects: A Whiteheadian Reading of a Confucian Sensibility. Asian Philosophy 8 (3):191 – 202.
    I suggest that ubiquitous references made by Confucius to poetic songs in the Analects reveal an important aspect of his philosophy. This aspect involves the assumption that things in the world “resonate” with one another. Using elements of Alfred North Whitehead's thought, as well as metaphysical insights from the Han Dynasty text, Huainanzi, I first present an aesthetic theory along with a supporting cosmological vision that enhances our appreciation of this trait in the Confucian world. With these preliminaries in mind, (...)
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  43. Frederick C. Beiser (2005). Schiller as Philosopher: A Re-Examination. Oxford University Press.
    Fred Beiser, renowned as one of the world's leading historians of German philosophy, presents a brilliant new study of Friedrich von Schiller (1759-1805), rehabilitating him as a philosopher worthy of serious attention. Beiser shows, in particular, that Schiller's engagement with Kant is far more subtle and rewarding than is often portrayed. Promising to be a landmark in the study of German thought, Schiller as Philosopher will be compulsory reading for any philosopher, historian, or literary scholar engaged with the key developments (...)
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  44. George N. Belknap (1936). A Guide to Reading in Aesthetics and Theory of Poetry. Philosophical Review 45:100.
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  45. Seth Benardete (2008). The Bow and the Lyre: A Platonic Reading of the Odyssey. Rowman & Littlefield Publishers.
    In this interpretation of the Odyssey, Seth Benardete suggests that Homer may have been the first to philosophize in a Platonic sense. He argues that the Odyssey concerns precisely the relation between philosophy and poetry and, more broadly, the rational and the irrational in human beings.
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  46. Seth Benardete (2000). The Argument of the Action: Essays on Greek Poetry and Philosophy. University of Chicago Press.
    This volume brings together Seth Benardete's studies of Hesiod's Theogony, Homer's Iliad, and Greek tragedy, of eleven Platonic dialogues, and Aristotle's Metaphysics. These essays, some never before published, others difficult to find, span four decades of his work and document its impressive range. Benardete's philosophic reading of the poets and his poetic reading of the philosophers share a common ground that makes this collection a whole. The key, suggested by his reflections on Leo Strauss in the last piece, lies in (...)
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  47. Charles Berger (1996). Reading as Poets Read: Following Mark Strand. Philosophy and Literature 20 (1):177-188.
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  48. Henri Bergson (1959). The Philosophy of Poetry: The Genius of Lucretius. New York, Philosophical Library.
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  49. Richard Berkeley (2007). Coleridge and the Crisis of Reason. Palgrave.
    Coleridge and the Crisis of Reason examines Coleridge's understanding of the Pantheism Controversy - the crisis of reason in German philosophy - and reveals the context informing Coleridge's understanding of German thinkers. It challenges previous accounts of Coleridge's philosophical engagements, forcing a reconsideration of his reading of figures such as Schelling, Jacobi and Spinoza. This exciting new study establishes the central importance of the contested status of reason for Coleridge's poetry, accounts of the imagination and later religious thought.
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  50. Arun Kumar Bhattacharya (1974). Dimensions: Philosophical Essays on the Nature of Music and Poetry. K. P. Bagchi on Behalf of Uttarsuri.
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