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  1. F. A. (1956). The Unmediated Vision: An Interpretation of Wordsworth, Hopkins, Rilke, and Valery. [REVIEW] Review of Metaphysics 9 (3):519-519.
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  2. Evelyn Abbott (1971). Hellenica a Collection of Essays on Greek Poetry, Philosophy, History, and Religion. --. Kennikat Press.
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  3. Mathew Abbott (2010). The Poetic Experience of the World. International Journal of Philosophical Studies 18 (4):493-516.
    In this article I develop Heidegger's phenomenology of poetry, showing that it may provide grounds for rejecting claims that he lapses into linguistic idealism. Proceeding via an analysis of the three concepts of language operative in the philosopher's work, I demonstrate how poetic language challenges language's designative and world-disclosive functions. The experience with poetic language, which disrupts Dasein's absorption by emerging out of equipmentality in the mode of the broken tool, brings Dasein to wonder at the world's existence in such (...)
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  4. Ruth Abbott (2007). Decisions of an Alarmingly Personal Nature, or, What I Think About William Wordsworth. Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice 6 (1):114-122.
    This article begins by noting the tendency of certain academic practices to arrest thought, and attempts to circumvent that arrestation in the writer by reflecting on her adolescent response to the writings of William Wordsworth. It explores the possible implications of a youthful feeling that poetry is ‘true’, tying this in with Wordsworth’s own writing about poetry and truth, and with a particular passage from Wordsworth’s Home at Grasmere which once prompted that youthful feeling. The personal and particular sources from (...)
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  5. R. D. Ackerman (1982). "A Counterpoint of Dissonance": The Aesthetics and Poetry of Gerard Manley Hopkins (Review). Philosophy and Literature 6 (1-2):209-210.
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  6. Marta Elena Acosta (1994). Creation to Apocalypse: Renewal in the Poetry of Amparo Amoros. Dissertation, University of Miami
    Arboles en la musica, a collection of poems by Spanish poet Amparo Amoros, is analyzed poem by poem, as a close reading. ;The analysis is thematic in nature and is done in light of the collection's feminist and spiritual tendencies which are opposed to scientism and other characteristics of the modern Western world. The poems reflect a subtext of Biblical and mystical inspiration, beginning with a description of the natural world and ending with a liberation of the individual spirit and (...)
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  7. Luljeta Adili-Çeliku, Jehona Rushidi-Rexhepi & Jeta Rushidi (2013). The Diminutive in Naim Frashëri's Poetry and Ismail Kadare's Works. Seeu Review 9 (1):90-99.
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  8. Mortimer Jerome Adler (1965). Poetry and Politics. Duquesne University Press.
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  9. Richard L. Admussen (1968). Nord-Sud and Cubist Poetry. Journal of Aesthetics and Art Criticism 27 (1):21-25.
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  10. Peter J. Ahrensdorf (2009). Greek Tragedy and Political Philosophy: Rationalism and Religion in Sophocles' Theban Plays. Cambridge University Press.
    Oedipus the tyrant and the limits of political rationalism -- Blind faith and enlightened statesmanship in Oedipus at colonus -- The pious heroism of Antigone -- Conclusion: Nietzsche, Plato, and Aristotle on philosophy and tragedy.
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  11. Kc Alami (1995). Tawriya, or Poetry as a Cultural Act. Al-Qantara: Revista de Estudios Árabes 16 (2):259-271.
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  12. Zunnoorain Haider Alavi (2013). A critical analysis of Persian Poetry of Shah Turab Ali Qalandar. SOCRATES 1 (1):106-121.
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  13. Mary Alberi (1989). Poets and Emperors: Frankish Politics and Carolingian Poetry. [REVIEW] Speculum 64 (2):433-435.
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  14. Mortimer Jerome Alder (1965). Poetry and Politics. Duquesne University Press.
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  15. Hartley Burr Alexander (1906). Poetry and the Individual. Journal of Philosophy, Psychology and Scientific Methods 3 (16):439-442.
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  16. Meena Alexander (1988). "Falling Fire": The Negativity of Knowledge in the Poetry of William Blake. Analecta Husserliana 23:281.
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  17. Meena Alexander (1985). Wordsworth: The Sea and Its Double. Analecta Husserliana 19:77.
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  18. Keimpe Algra, M. H. Koenen & P. H. Schrijvers (eds.) (1997). Lucretius and His Intellectual Background: [Proceedings of the Colloquium, Amsterdam, 26-28 June 1996]. Koninklijke Nederlandse Adademie Van Wetenschappen.
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  19. Anita L. Allen (2009). The Poetry of Genetics: On the Pitfalls of Popularizing Science. Hypatia 24 (4):247 - 257.
    The role genetic inheritance plays in the way human beings look and behave is a question about the biology of human sexual reproduction, one that scientists connected with the Human Genome Project dashed to answer before the close of the twentieth century. This is also a question about politics, and, it turns out, poetry, because, as the example of Lucretius shows, poetry is an ancient tool for the popularization of science. "Popularization" is a good word for successful efforts to communicate (...)
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  20. David Allen (2002). Poetry Does Theology: Chaucer, Grosseteste, and the PEARL-Poet. [REVIEW] The Medieval Review 12.
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  21. David Allen (1998). The Language of Old and Middle English Poetry. [REVIEW] The Medieval Review 8.
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  22. Jeffner Allen (1988). Poetic Politics: How the Amazons Took the Acropolis. Hypatia 3 (2):107 - 122.
    This paper explores the poetic politics of lesbian and feminist writing, the textual violence that writing exercises and the amazon intertext it creates. In this particular essay, Jeffner Allen takes as her point of departure the writing of Hélène Cixous and Monique Wittig.
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  23. Stuart James Allen (2002). Wordsworth, Aesthetics and Allegory a Critique of Second Nature.
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  24. Charles Altieri (1978). Wordsworth: Language as Counter-Spirit (Review). Philosophy and Literature 2 (1):131-133.
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  25. Omar Julián Álvarez Tabares (2013). Poetry, the Poet and the Poem. An Approach to Poetics as Knowledge. Escritos 21 (46):223-242.
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  26. August Wilhelm Ambros (1893). The Boundaries of Music and Poetry. A Study in Musical Aesthetics. G. Schirmer.
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  27. Candiprasada Anandavardhana & Sukla (1983). Dhvanyalokah Dipa Sikhatikasahitah. Vi Svavidyalaya Praka Sana.
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  28. Luciano Anceschi (1986). Che Cosa È la Poesia? Monograph Collection (Matt - Pseudo).
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  29. Clifford Andenberg (1983). Benedetto Croce: Poetry and Literature: An Introduction to Its Criticism and History. Translated with an Introduction and Notes by Giovanni Gullace. Modern Schoolman 61 (1):56-57.
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  30. Travis T. Anderson (1996). Through Phenomenology to Sublime Poetry: Martin Heidegger on the Decisive Relation Between Truth and Art. Research in Phenomenology 26 (1):198-229.
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  31. Bruce Andrews (1996). Paradise & Method Poetics & Praxis.
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  32. Eduardo Anguita & Volodia Teitelboim (1935). Antología de Poesía Chilena Nueva. Editorial Zig-Zag.
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  33. Mario Apollonio (1945). Ermetismo. Cedam.
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  34. Alan Apperley (2006). Dylan and Cohen: Poets of Rock and Roll. Contemporary Political Theory 5 (3):342.
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  35. Mo A. Turai Araçnkacåami (1990). The Religion and Philosophy of Tåevåaram with Special Reference to Nampi Åaråurar. University of Madras.
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  36. R. Argullol (2006). Seven Arguments in Defence of Poetry: Resisting the Madding Noise. Diogenes 53 (1):117-121.
    Poetry is essentially connected with silence and may be thought of in that sense as a sort of resistance against the din of the present or rebellion against the commonplace. Alert for the primal sound that travels across cultures, it attempts to express the inexpressible. For poetry is the interplay of possibilities. In treating possibilities lightly, it encourages human beings to inhabit their world differently.
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  37. Aristotle, Aristotle on the Art of Poetry.
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  38. Aristotle (2013). Poetics. Oup Oxford.
    A founding text of European aestheticism and literary criticism, Poetics underpins our moden understanding of imaginative writing. Anthony Kenny's new translation is accompanied by associated material from Plato, Sir Philip Sidney, P. B. Shelley, and Dorothy L. Sayers and a wide-ranging introduction.
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  39. Aristotle (1963). The Art of Poetry. Oup Oxford.
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  40. Aristotle (1957). Aristotle's Politics and Poetics. Viking Press.
  41. Bernardo Aristotle, Bartolomeo Segni & Francesco Imperadore (1551). Rettorica Et Poetica D'Aristotile. Per Bartholomeo Detto l'Imperador, & Francesco Suo Genero.
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  42. Daniel Aristotle, Thomas Twining, J. H. Payne & J. Parker (1812). Aristotle's Treatise on Poetry. Printed by Luke Hansard & Sons, Near Lincoln's-Inn Fields: And Sold by T.Cadell and W. Davies, in the Strand; Payne, Pall-Mall; White, Cochrane, and Co. Fleet Street; Longman, Hurst, Rees, Orme, and Brown, Paternoster Row; Deighton, Cambridge; and Parker,.
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  43. G. M. A. Aristotle, Donald J. Grube & Zeyl (1989). On Poetry and Style. Monograph Collection (Matt - Pseudo).
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  44. Gerald Frank Aristotle & Else (1967). Poetics. University of Michigan Press.
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  45. Lane Aristotle & Cooper (1962). Aristotle on the Art of Poetry an Amplified Version with Supplementary Illustrations. Great Seal Books.
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  46. S. H. Aristotle & Butcher (1997). Poetics.
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  47. W. Hamilton Aristotle, W. Rhys Longinus, Demetrius, Fyfe & Roberts (1932). The Poetics. Heinemann Harvard University Press.
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  48. David Armstrong (ed.) (2004). Vergil, Philodemus, and the Augustans. University of Texas Press.
    The Epicurean teacher and poet Philodemus of Gadara (c. 110-c. 40/35 BC) exercised significant literary and philosophical influence on Roman writers of the Augustan Age, most notably the poets Vergil and Horace. Yet a modern appreciation for Philodemus' place in Roman intellectual history has had to wait on the decipherment of the charred remains of Philodemus' library, which was buried in Herculaneum by the eruption of Vesuvius in 79 AD. As improved texts and translations of Philodemus' writings have become available (...)
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  49. Willard E. Arnett (1956). Poetry and Science. Journal of Aesthetics and Art Criticism 14 (4):445-452.
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  50. Karl Aschenbrenner & William B. Holther (1955). Reflections on Poetry. Philosophical Review 64 (1):154-155.
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1 — 50 / 1074