Abstract

Kierkegaard has no comprehensive or systematic aesthetics of his own. Despite this, his work contains numerous and abundant references to the aesthetics of his time; namely, the Hegelian inspired aesthetics of Johan Ludvig Heiberg. As a one‐time adherent of Heiberg, Kierkegaard was thoroughly steeped in Heiberg's philosophy of art, and often merely applies such aesthetics to his selected objects of interest, echoing the philosophy of art of his day. There are, however, other instances where Kierkegaard carries out a sometimes overt and sometimes covert critique of Heibergian aesthetics, especially after Either/Or, challenging his predecessor's views and the dominant aesthetics of the day.