Abstract

In the mid 1960s two artists associated with Fluxus, Milan Knk and Ken Friedman, began corresponding about the possibilities for conceptual and material exchange through the new media, or intermedia, of actions and correspondence art. To make connections across the geographic and political barrier between Eastern Europe and the West, they used flexible media within a distributive cognitive network to communicate about living and working counter to conformity and inertia in both places. Their use of intermedia reveals a pattern of international information exchange that distinguishes contemporary art and experience from the modern.