“The anti-developmental, the anti-narrative, the anti-historical”: Mondrian as a paradigmatic artist for empirical aesthetics

Behavioral and Brain Sciences 36 (2):152 - 153 (2013)
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Abstract

In addition to general criticisms of scientific studies on empirical aesthetics, Bullot & Reber (B&R) particularly criticise two that manipulated paintings by Mondrian, those studies seemingly, (sect. 4.2, para.2). Those criticisms are unjustified, both within the approaches of empirical aesthetics and the historical context and aims of Mondrian's work

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10.1017/s0140525x12001720

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