Knights 230–3 And Cleon's Eyebrows

Classical Quarterly 29 (1):214-215 (1979)
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Abstract

With these words the ‘first slave’’ of the Knights, encourages the Sausage-seller to take up the cudgels against the Paphlagonian, confident that the actor playing this role will not be masked. The exception proves the rule and it is generally concluded from these lines that portrait masks were customary in Aristophanic comedy.

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Satyr and image in Aeschylus' Theoroi.Patrick O'Sullivan - 2000 - Classical Quarterly 50 (02):353-.

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