Prisms

(ed.)
MIT Press (1981)
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Abstract

The eminent critic and scholar analyzes a wide range of topics, including Aldous Huxley's Brave New World, jazz, the music of Bach, and museums

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1983

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9780262510257   0262510251   026201064X   0854354131
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Citations of this work

Hegel, Adorno and the Origins of Immanent Criticism.James Gordon Finlayson - 2014 - British Journal for the History of Philosophy 22 (6):1142-1166.
Panels and faces: segmented metaphors and reconstituted time in Art Spiegelman's Maus.Liam Kruger - 2015 - Critical Arts: South-North Cultural and Media Studies 29 (3):357-366.

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