Abstract

Traditionally, Ortega y Gasset has fallen between the cracks of philosophical categorization. He is not an existentialist; neither is he a phenomenologist nor a pragmatist. Yet his major claim, "I am I and my circum-stance" both bridges and transcends these categories. It is the intent of Rodríguez Huéscar's book to show that this particular claim, and the metaphysical system Ortega developed from it, is Ortega's chief innovation in addressing what was once perceived as the central crisis of modern philosophy: the need to overcome idealism. Rodríguez Huéscar, moving effortlessly through Ortega y Gasset's corpus, shows that Ortega's critique is not merely of the idealism per se which has dominated modern philosophy since Descartes but also of realism itself inasmuch as realism is viewed as a mutually exclusive antithesis of idealism. From Rodríguez Huéscar's perspective, Ortega is attempting to establish a new way of thinking that goes beyond the traditional dichotomies of abstract philosophy. Ortega's project is an attempt to create a metaphysics based on a radical, unmediated, lived reality. Such a reality is something presented or given to us, and it is also something upon which we must act. This is the sum of human existence, and for this reason one is in toto simply one's self and one's circumstance. For Ortega, this totality of human existence is, for any particular human, his or her life--an absolute living product of reason and history. In his Metaphysical Innovation, Rodríguez Huéscar takes two approaches to elucidating Ortega's system of living, radical, historical metaphysics. The first approach is devoted to a three-part exposition of Ortega's critique of idealism, including a critique of phenomenological philosophy as representative of the most recent instantiation of idealism. The remainder of the book is an outline of Ortega's project in view of his attempt to overcome idealism. As such, Rodríguez Huéscar presents and explains the most salient features of Ortega's metaphysics such as "absolute event," the act of becoming present, circum-stance, and vocation in a clear and concise manner. This portion of the book could stand alone as an excellent introduction to Ortega's project to those who are only moderately familiar with his work. It is also at this juncture that the excellence of the translation becomes apparent. García-Gómez's subtle use of editing make this translation not only a pleasure to read but of great help to the newcomer in need of placing Ortega y Gasset in his historical and philosophical context.--Stacey Ake, University Park, Pennsylvania.