Abstract

Rāmacaritamānasa is a truly remarkable work, and the celebration of the fourth centenary of its composition calls for some recognition. Consider the artless guile of its author: at the start he protests that he is no poet, without skill in letters, lacking in all arts and sciences, lacking in all literary skills; and yet he has presented us with a creation of extraordinary skill and beauty, revealing, within the Indian context, a broad grasp of learning and a zeal to reconcile divergent doctrines. On the one hand Tulsīdās protests that he has done the work simply for his own personal satisfaction , and on the other he proclaims that its virtue is the infiniteness of its theme. This is why Rāmacaritamānasa deserves attention, and why its study can be so rewarding