Abstract

Athenaeus records these lines from the dithyramb Hymenaios, along with a number of other snippets of poetry, in the course of an inconclusive discussion about the characteristics of the instrument called the magadis. Athenaeus had good reasons for being puzzled; the word first appeared in Greek, so far as we know, in the seventh century b.c., and its sense was already a matter of some doubt in the fourth. As to this particular fragment, even Telestes' original audience might be forgiven some bafflement in the face of the third line, on which I shall initially focus here. What can be meant by ‘the five-rodded joining of the strings’?