Abstract

Ovid begins his overtly programmatic Amores 2.1 with the claim that Cupid, who had previously interfered with the poet's attempt to write an epic , has once again ordered him to reject epic subjects and to compose a book of decadent love-elegies instead. Faced with this new task, the poet dutifully proceeds to warn that his elegiac verses are not suitable for the prudish but hopes that they will be read by lovers. Among the prospective readers are young men who, like Ovid himself, have been shot by Cupid's arrow