Abstract

The author analyses the theology of Saint Maximus the Confessor and its interpretation in modern theology. The great work of Hans Urs von Balthasar “The Cosmic Liturgy” began a new theological focus on the profoundness of Saint Maximus synthesis which was continued by several scholars: Policarp Sherwood, J. M. Gariguess, J. C. Larchet, Andrew Louth etc. The author analyses especially the work “Theologie de l’agonie du Christ” belonging to François-Marie Lethel (Paris, 1979). In a critical approach to this work he finds major misinterpretations and established several erroneous trends in the Maximian studies