Abstract

In his excellent commentary on Callimachus' fifth Hymn, A. W. Bulloch has discussed the many allusions to earlier literature out of which this poem is made. He has, however, missed one: an allusion to Hesiod's Catalogue, which, as I shall show here, not only sheds light on one of the poem's most puzzling scenes – Athena's consolatio to the nymph Chariclo – but also helps to explain the articulation and function of the poem's first, so-called ‘mimetic,’ section.