Sport, Aesthetic Experience, and Art as the Ideal Embodied Metaphor

Journal of the Philosophy of Sport 39 (2):201-217 (2012)
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Abstract

Despite a prevalence of articles exploring links between sport and art in the 1970s and 1980s, philosophers in the new millennium pay relatively little explicit attention to issues related to aesthetics generally. After providing a synopsis of earlier debates over the questions ‘is sport art?’ and ‘are aesthetics implicit to sport?’, a pragmatically informed conception of aesthetic experience will be developed. Aesthetic experience, it will be argued, vitally informs sport ethics, game logic, and participant meaning. Finally, I will argue that embodying pragmatic conceptions of art as its ideal metaphor re-opens space to best realize the deep potential of sport as a meaningful human practice.

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Citations of this work

Towards an Aesthetics of Archery.Enea Bianchi - 2023 - British Journal of Aesthetics 64 (1):33-48.
Aesthetics of the martial arts.Jeanette Bicknell - 2021 - Philosophy Compass 16 (7):e12738.
John Dewey—Experiential Maverick.Jesús Ilundáin-Agurruza - 2014 - Sport, Ethics and Philosophy 8 (3):271-284.

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References found in this work

Philosophy and the Mirror of Nature.Richard Rorty - 1979 - Princeton University Press.
Philosophy and the Mirror of Nature.Richard Rorty - 1979 - Princeton University Press.
Philosophy and the Mirror of Nature.Richard Rorty - 1979 - Philosophy 56 (217):427-429.
Philosophy and the Mirror of Nature.Richard Rorty - 1979 - Revue de Métaphysique et de Morale 86 (4):562-563.
Meaning.Michael Polanyi - 1975 - Chicago: University of Chicago Press. Edited by Harry Prosch.

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